Georgina Cue (Australia)
Arslan Faruqi (Pakistan)
Adeela Suleman (Pakistan)
Heo Subin (Korea)
Yang Yongliang (China)
Kai Wasikowski (Australia)

Trompe-l'œl
Curated by Dr. Mikala Tai

14 Apr - 12 May 2018
Sullivan + Strumpf
5 Lock Road #01-06, Singapore 108933

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 Left - Right: Kai Wasikowski,  Realtree #2 ,  Realtree   #3  and  Realtree   #1 , 2017, pure pigment on archival paper, 90 x 115 cm. Adeela Suleman,  After all it's always somebody else who dies,  2018, steel with 22k gold plating, 124.5 x 213.4 cm.

Left - Right: Kai Wasikowski, Realtree #2, Realtree #3 and Realtree #1, 2017, pure pigment on archival paper, 90 x 115 cm. Adeela Suleman, After all it's always somebody else who dies, 2018, steel with 22k gold plating, 124.5 x 213.4 cm.

 Left - Right: Kai Wasikowski,  Realtree #2 ,  Realtree   #3  and  Realtree   #1 , 2017, pure pigment on archival paper, 90 x 115 cm.

Left - Right: Kai Wasikowski, Realtree #2, Realtree #3 and Realtree #1, 2017, pure pigment on archival paper, 90 x 115 cm.

 Left - Right: Adeela Suleman,  I don't want to be there when it happens,  2013-17, hand-beaten stainless steel, iron and bulb, dimensions variable. Kai Wasikowski,  Looking with a forked tongue,  2016, pure pigment on archival paper, acrylic lenticular lens, 165 x 118 cm.

Left - Right: Adeela Suleman, I don't want to be there when it happens, 2013-17, hand-beaten stainless steel, iron and bulb, dimensions variable. Kai Wasikowski, Looking with a forked tongue, 2016, pure pigment on archival paper, acrylic lenticular lens, 165 x 118 cm.

 Kai Wasikowski,  Looking with a forked tongue,  2016, pure pigment on archival paper, acrylic lenticular lens, 165 x 118 cm.

Kai Wasikowski, Looking with a forked tongue, 2016, pure pigment on archival paper, acrylic lenticular lens, 165 x 118 cm.

 Left - Right: Kai Wasikowski,  Realtree #2 ,  Realtree   #3 , 2017, pure pigment on archival paper, 90 x 115 cm. Adeela Suleman,  I don't want to be there when it happens,  2013-17, hand-beaten stainless steel, iron and bulb, dimensions variable. Adeela Suleman,  After all it's always somebody else who dies,  2018, steel with 22k gold plating, 124.5 x 213.4 cm. Yang Yongliang,  Old Pine,  2016, film on lightbox, 29 x 29 x 18.5 cm (box). Georgina Cue,  Light Works,  2012, embroidery on tapestry canvas and hardwood, 156 x 74 x 10 cm (window); 174 x 202 x 1 cm (carpet).

Left - Right: Kai Wasikowski, Realtree #2, Realtree #3, 2017, pure pigment on archival paper, 90 x 115 cm. Adeela Suleman, I don't want to be there when it happens, 2013-17, hand-beaten stainless steel, iron and bulb, dimensions variable. Adeela Suleman, After all it's always somebody else who dies, 2018, steel with 22k gold plating, 124.5 x 213.4 cm. Yang Yongliang, Old Pine, 2016, film on lightbox, 29 x 29 x 18.5 cm (box). Georgina Cue, Light Works, 2012, embroidery on tapestry canvas and hardwood, 156 x 74 x 10 cm (window); 174 x 202 x 1 cm (carpet).

kai_wasikowski_trompe-loeil
 Left - right: Kai Wasikowski,  Streaming #4,  single channel video (5m 18s loop), LCD display, RaspberryPi, HDMI and component cables, 9 x 4 cm display. Kai Wasikowski,  10 January 2017 #3,  single channel video (4m 29s loop), LCD display, RaspberryPi, HDMI and component cables, 7 x 3 cm display. 

Left - right: Kai Wasikowski, Streaming #4, single channel video (5m 18s loop), LCD display, RaspberryPi, HDMI and component cables, 9 x 4 cm display. Kai Wasikowski, 10 January 2017 #3, single channel video (4m 29s loop), LCD display, RaspberryPi, HDMI and component cables, 7 x 3 cm display.